Sohei Nishino
In an age where Satnav offers a guiding light through places unknown, and Google Street View reduces us all to that tiny orange man, it’s easy to assume that the [...]
Sarah Breese – Moments Like These Never Last
Sarah’s work combines found objects from the real world to create a visual record of the domino effects and cycles, repetitions of events and memories that would otherwise be forgotten. [...]
Becky Brewis – Street Stratigraphy
This is the latest in a series of articles and illustrations from our new special edition publication New Cartography. The magazine offers readers a fresh and alternative take on mapping the urban environment [...]
Louise Thust – A Misguided Tourist
This is the latest in a series of articles and illustrations from our new special edition publication New Cartography. The magazine offers readers a fresh and alternative take on mapping the urban environment [...]
Suzy Waldron – Synaesthetic maps
This is the latest in a series of articles and illustrations from our new special edition publication New Cartography. The magazine offers readers a fresh and alternative take on mapping the urban environment [...]
Timothy Nordhoff – No Place
My current photographic subjects often relate back to British traditions, culture or industry. Working with a 4×5 camera and traditional negative film I often try to express subtleness in my [...]
Review: MM1: De-Construct / Re-Construct / We-Construct
MM1: De-Construct/Re-Construct/We-Construct is the first of two exhibitions by Israeli curators Sharon Toval and Nimrod Vardi which consider communication, the creative process and how where we come from defines how [...]
Review: Marina Abramović: The Artist is Present
Marina Abramović’s art is undoubtedly compelling and innovative, yet it does not always touch or move me. However, this film, and its depiction of the artist, moved me utterly. The [...]
The Spear: Zuma unwrapped
The arts and the historical conditions of their creation are undoubtedly interdependent and not always easily demarcated, with each consistently blurring into the other. As critics such as Frederic Jameson [...]
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