Posts tagged "film"
A Dangerous Method

A Dangerous Method

While the multiple BAFTA-winning The Artist is a triumph of reticence, A Dangerous Method appears to champion verbosity. I have seen both films in quick succession, and am left with [...]
Statement of intent and February preview

Statement of intent and February preview

Big plans ahead for the New Wolf this month. Our wallpaper is beginning to fray and our long johns are becoming threadbare. And so, the decorators are in. On February [...]
What the Wolf watched in 2011

What the Wolf watched in 2011

Honourable Mentions: Poetry; Hugo; Mysteries of Lisbon; Weekend; Cave of Forgotten Dreams; A Separation. 10. The Salt of Life Gianni Di Gregorio wrote the much-loved Gomorrah [2008], and used his [...]
January preview

January preview

Welcome to 2012! With a new year comes a new month and so we take our usual look at the cultural highlights in January, particularly for the Capital’s dwellers. Plus [...]
November Preview

November Preview

Happy Halloween folks. Have fun with the pumpkins and the fireworks. Time for another look at London’s cultural highlights and what The New Wolf will be up to in the [...]
October Preview

October Preview

A new month is upon us again and so is another preview of what’s to come on the Wolf and in London at large. This month: London Film Festival, Conservative [...]
September Preview

September Preview

Pessimism is in the air and it smells of burning leaves. Summer is drawing to a close. This time next month the scarves will be out and the chestnuts will [...]
Ideas Showcase: #1 - CopperCircle. An interview with Benjamin Barfoot

Ideas Showcase: #1 – CopperCircle. An interview with Benjamin Barfoot

Introductions. The New Wolf has always attempted to uncover and unearth ideas that are indicative of change. People crave change and movement, it is in our nature; you only have [...]
Michael Haneke: #3 - Funny Games

Michael Haneke: #3 – Funny Games

Haneke is never too far from the perverse. Yet, while his films often shock and disturb his audience, this is rarely his aim. Haneke’s cinematic CV asks his audience to [...]